Saturday, April 28, 2012

Grandpap's Advice


Late in the evening, on April 20th 2012, my Grandfather, Thomas J Gannon JR, passed away. At the time of his death, I was waiting in line at Attic Records in Millvale, PA. They were scheduled to open at Midnight for the 5th annual Record Store Day. I was with my son Mocha and my broseph, Base.

That was interesting to me as I will now forever associate Record Store Day with his passing, but it will probably motivate me more to seek out the obscure things that Record Store Day has to offer with more vigor and dedication.

I want to pay a small tribute to my Grandpap, but it is funny how much I don't know about him. I have decided that what I do know could fill volumes, and I definately need no corrections or history lessons to write what I do know, so why not?

In August of 1913, Thomas J. Gannon Jr was born and he was raised on Mt Washington in Pittsburgh PA. He lived in Pittsburgh until marrying sometime in the late 1940's when he, his wife Eva, and his mother-in-law moved into 3217 Oakwood Street in Erie PA, a house which he owned until shortly before his death last week.

Tom had several brother and sisters, but only one was known by me. My beloved aunt Mary. Between Tom and Mary the bulk of the Gannon family was probably allowed instant access into heaven, as they both should be canonized immediately. They just don't make them like that anymore. Aunt Mary did not get loud, she simply poured a pitcher of ice water on your head. I loved that about her. I digress.

From what I have been told, a young Tom went to work at a local meat market to help support his family during the Great Depression. From what I know about my Grandpap, he was probably saving up for a car from day 1. His wheels were his freedom and the day he stopped driving a few years ago was a sad day indeed.

I think that he drove a truck for a company in the Pittsburgh Strip District before the war, and I am pretty sure he was stationed in India during WWII. Honestly, my Grandpap and I never talked about WWII, and I regret never drilling him for information on it. He probably would have asked what the hell I wanted to know about that for? Grandpap mostly stayed away from controversial topics with me, but he definitely had some opinions he didn't mind sharing as well.

The stories he did tell me were interesting, but I sometimes struggled to find the meaning in them.

A good example. After I moved to Pittsburgh in 2002, I was telling him about my family's first trip to Kennywood. He interrupted me with a story of his own:

"I remember one time I was at Kennywood. I was there with a buddy of mine, Joe (we will call him Joe as I do not remember the actual name). I was wearing a pair of white leather shoes. We were walking and Joe stepped on my shoe and scuffed it. That's the last time I talked to him."

"When was that?" I asked. "Oh hell, must have been 65 years ago I guess".

End of story. Seriously, that was it. I am still scratching my head about it.

Grandpap has accused me of both "Having Money" and "Living in the woods" since I moved to Shaler (neither is the case I assure you). I guess you can take the boy off of Mount Washington, but you can't take the South Hills yinzer out of my Grandfather. Come to think of it, he always did call laundry "warsh".

One of my favorite Grandpap quotes came to us during a birthday party for one of my nephews. My friend Pat was there and offered him a beer:

Pat: Hey Mr G, can I get you a Cold One?
Grandpap: No, I have only had two since they made it legal.

We all laughed at that, 'till we realized that he wasn't lying. Not sure about the first one, but the last one was on some brewery tour several years ago. He said he didn't like it...... my pure bred Irish Grandpap didn't like beer.....go figure.

Grandpap was all about the money. He saved like a madman and always had a little cash. He used to tell me about how he beat the system. "How?" I asked, "I have been retired from the post office for as long as I worked there". Now, I have tried several times to figure that one out, but I am not sure what year he retired, or what year he started. The math never seemed right based on when he said that to me, but if Grandpap said it, it was probably true. It was definately true at some point.

He received a pension from the Post Office, and collected Social Security. It was enough to provide a decent post retirement life for him. He once told me exactly how much money he received monthly, to which I was honored, not because I cared about his money, but HE did, and that was a such a big deal for me. I felt like a man that day.

Don't get me wrong, I would periodically show up with my hand out. Grandpap would be happy to lend if for the right reason. I remember him on his porch listening to my pitch and waiting to tell me that I could the have the cash, but if I did not pay it back I would owe it to the estate (everything was always owed to the estate). My grandfather helped me get my first car, my first apartment, and even was willing to loan me money for a down payment on a house (a deal that fell through - the money was promptly returned so I could be free of the estate debt).

I payed him back on everything else as best I could, but I was recently informed by my step-brother that Grandpap told him he was the only one who paid back every penny he owed to him. If that's what Grandpap said, then it was true, but I am pretty sure he forgave debt just as easily as he loaned money. That's the guy he was.

As much as he loaned it, he gave it away for no reason.

I remember hanging out with him one day at age 16 and he said "Lets go for a ride". The next thing I know, we were at a department store getting me sized for a new suit. I asked him why, and he simply said "Because you never know when you are going to need a suit".  I have not been without one since.

When Angi and I became pleasantly surprised with the news of our future son, Michael, we felt we needed to get married. We had planned on a simple courthouse wedding, but Grandpap refused. He instead rented a room at the Carriage House Restaurant. He payed for the service and a small dinner for our small wedding guest list. I wore my suit.

He was like that. His motto was "Family takes care of Family".

He also would know when to let family make mistakes.

At one point in my life, I found myself in Las Vegas. I had been there for almost 3 months and I was ready to go home. I was 17 at the time, penniless as I could not get steady work because I had no ID, and ready to put an end to a failed adventure in my young life. I almost cried when I heard the news on the other end of the payphone. Grandpap said, "You found your way out there, find your way back".

So I found my way back (which is a story all it's own). I grew up a little then, not nearly enough, but it was a turning point in my life. I don't think I even got mad at him. After all, he was right.

He tortured me some when I was young. I was required to go to his barber for my monthly nerd do. "Give him a man's cut" were the worst words in the English language when I was 10. It was 1985, and a buzz cut was not the way to attract good attention. Neither were the glasses he insisted I have. Everything cool was "To big for my face" or "Too much damn money". That was a tough winter for us both. I "accidentally" stepped on every pair of glasses he bought.

There was also the rubber garden hose. 18" of shit you didn't want to be on the wrong end of. Now, people can be as sensitive as they want these days about hitting kids, but I was a nightmare when I was 10. I was rebelling for several reasons, and my poor grandparents got the bulk of the abuse. Grandpap BEAT MY ASS with a rubber hose on occasion, and guess what, I absolutely deserved it. Know what else? It still stings. Looking back, I am sure he hated doing that.

He used to get so mad at me, that he would call me ChuckJackMike. That is when I knew I was in the shit, but it also meant that I was on par with his sons. That meant the world to me.

I remember the day in 5th grade I went to School without my homework. Sister John Francis had about enough of my crap, and told me that I had to stay for detention. I was not sure what was worse, telling Grandpap that I had to stay for detention, or actually staying for detention.

I decided neither was worth it, so I came up with a plan. I would run out of the room as soon as the bell rang and just go home. I guess I though that Sister John Francis would forget about her punishment if I was not there? Not sure what I was thinking.

3217 Oakwood was only 6-1/4 blocks from Blessed Sacrament school. A 10 minute walk uphill if you were dragging ass. As I got to the house that day, I noticed a strange car in the driveway. Sister John Francis was at Grandpaps house when I got home. She beat me there. He beat me there too...lol. I forgot that Grandpap was pretty tight with the nuns.

When he became unable to care for himself in the early 2000's, I was not financially ready or mature enough to assist with his care. My Uncle and his wife took him in. I guess that it was not really my responsibility to do anything, but it didn't feel that way then. I really hated seeing him deteriorate, so I mostly stayed away. When I did see him though, the one thing I always noticed was that the spark in his eye never faded. Tom Gannon never lost his wits.

For Grandpap's 95th Birthday Party, I did some research about the year he was born and came up with a clever speech to give at the party. It had to do with how 1913 also gave us the Zipper, and how it's discovery lead to such innovations as nooners and public urination. Well, as soon as I get the word Zipper out of my mouth, Grandpap informed everyone that it was invented in Meadville, and that there was a small manufacturing facility in Erie where the Arthur F Shultz store is today. Oh yeah, and that my Grandmother worked there for a short period of time. He gave a nice history lesson that day.

Well played Grandpap. I sat down and pretended that it was all supposed to go that way. I gladly let him have some thunder.

To this day, I still stick toothpicks between the interior roof panel and windshield molding of my car for easy access (thanks for that one G). I still get excited when I go to Hoss's. I still say "Try your lights" to people in traffic. I never really talk politics. I never question a man's religion. I take care of my family, and whenever I see someone doing something stupid, I hear his voice sarcastically say "Ohhhh Boy".

I still hear Grandpap's advice when I need it. I absolutely wore a suit to the funeral.

Thanks again G.

Friday, April 13, 2012

Guano Loco Lead Singer Syndrome


In honor of the Rock and Roll Hall of Fame ceremony this weekend, I have decided to spend a little time talking about the craziest weirdo on the plant W. Axl Rose (Bill Bailey).

Axl recently broke his silence to post/send a letter to the LA Times explaining why he will not attend the R&RHoF ceremony where his former band, Guns and Roses will be bestowed with one of Rocks greatest honors.

Now, we all know that Axl owns the name "Guns and Roses" but no matter how hard he tries, he cannot escape the fact that this band was the sum of its parts, and not his solo project with a backing band as it stands today.

I would love to say that Axl is a parody of his former self, but the truth is that he was always an asshole. I would love to say that Axl actually deserves the attention he gets, but he doesn't. He is just another wacked out star. At least he is true to himself in being who he has always been.

 I now realize that his voice is the most screechy, nasally, high pitched, odd sounding thing I have ever heard. To me, Axl sounds like a Muppet. It took me years to realize that, as I had my "I grew up with GnR" Axl Rose colored glasses on, but as an adult, I can be more objective.



100 Years from now, people will look back at us and laugh their uranium plated asses off at our weirdness. I honestly think that anyone looking back will hear Screechy Mr. Rose, and wonder what all the fuss was about?


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Cash Rules Everything Around Me:


According to celebritynetworth.com, Axl is worth a cool $200 Million. Let's break down the other members:
  • Slash = $32 Million
  • Izzy = $28 Million
  • Duff = $20 Million (I thought it would be more - he was supposed to be a financial guru, an early Starbucks investor, and is a financial columnist)
  • Adler = $15 Million
  • Matt = $10 Million (not bad for a hired Gun)

That's right, Axl is worth almost twice as much as the other Guns combined. How the hell did that happen? With a smile and a middle finger, that's how.


On a side note, just in case you were wondering (I was) :
  • Gene Simmons is worth $300 Million
  • Paul = $125 Million
  • Ace = $35 Million
  • Peter = $2 Million



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 House That Rock Built


Back to Axl. Dude, you are delusional. Unfortunately so many of your fans buy your bamboozle, although not in terms of record sales, just in concert tickets. I would not walk across the street to see 2012 GnR for free. It is not the band I grew up with. It is DRL band, it is the Vince Neil band, it's the Art Garfunkel band, it's Sublime with Rome, it's like James Gang without Joe Walsh or Paul Bostaph era Slayer (yeah, I said that).

Not cool Axl. Not cool at all.

So now Axl has decided to shun the House that Rock built. Not really a big shock, but the way he worded it kinda sound like he is gearing up for a lawsuit if anyone even mentions the name Guns and Roses.

Quote from Axl's letter to the LA Times:
For the record, I would not begrudge anyone from Guns their accomplishments or recognition for such. Neither I or anyone in my camp has made any requests or demands of the Hall Of Fame. It's their show not mine.

That said, I won't be attending The Rock And Roll Hall Of Fame Induction 2012 Ceremony and I respectfully decline my induction as a member of Guns N' Roses to the Rock And Roll Hall Of Fame.
I strongly request that I not be inducted in absentia and please know that no one is authorized nor may anyone be permitted to accept any induction for me or speak on my behalf. Neither former members, label representatives nor the Rock And Roll Hall Of Fame should imply whether directly, indirectly or by omission that I am included in any purported induction of "Guns N' Roses".

Another Quote:
There's a seemingly endless amount of revisionism and fantasies out there for the sake of self-promotion and business opportunities masking the actual realities. Until every single one of those generating from or originating with the earlier lineups has been brought out in the light, there isn't room to consider a conversation let alone a reunion.

Maybe if it were you it'd be different. Maybe you'd do it for this reason or that. Peace, whatever. I love our band now. We're there for each other when the going get's rough. We love our fans and work to give them every ounce of energy and heart we can.

Axl, just so we are clear on this, every single Guns fan alive is a fan of the Appetite and Illusion line-ups, not this farce with the guy from the Friends soundtrack, that one dude who kinda wears a hat like Slash and the other guys that no one has heard of. Dizzy Reed doesn't count either (who?).

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Will the real Guns and Roses please stand up?


Guns and Roses was the sum of it's parts. The great songwriting and loose rhythm playing of Izzy, the no frills lead work of Slash, Duff's guitar turned Bass playing, and the caveman drumming of Steven Adler. There was also this weasel guy singing.


They killed Hair Metal. They kicked ass. They rocked so hard they got respect from every side of the music biz. They reminded everybody that edgy rock and roll should not be contrived. That rebellion started this coaster, and nothing runs it better than rebellion. They changed the world over the course of 1 Album, 1 EP and 2 follow-up Albums that should have been condensed into one.

They became a monster, and their lead singer willingly bought the hype. He actually believed that he was better than everybody else. His ego became so huge that it systematically eliminated the thing that got him to the top, his band. In doing so he convinced himself that he alone was Guns and Roses.

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Digression - Giving Izzy Credit:


Anyone care to take a stab at why GnR fell so fast back in the early 90's? Simple: because Izzy quit. Izzy was the heart of that little band, and they sucked without him.


OK, so there was Velvet Revolver. Anyone care to guess why they sucked? I have some good ideas, but the main reason: Izzy was not into it, so Izzy did not do it. If Izzy was into it, VR would have had a better shot of ruling.




Izzy Stradlin is a "do whatever the hell I want" kind of guy these days, and I seriously respect that, but I hate Axl for the same reason. That's my double standard and I am not giving it up! Unfortunately, Izzy's music today is some of the most uninspired crap I have ever heard and it makes Keith Richards solo work seem really good.

It was not always that way though. Remember the JuJu Hounds?


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Reunion:

Guns and Roses will never reunite. It is a shame. Whack-a-doodle Sammy Hagar has offered to manage them if they would get back together. That's saying something. There is so much money at stake that they are idiots for not looking into it, and BTW, it is worth every penny to the fans, so Axl could go to bed at night knowing that he is not a sellout.

Hanging on to the Guns and Roses name is a falsehood because Axl outsourced the music to scabs. Lets be honest about this though. As long as people show up to the arenas, Axl will never reunite the old band, and even then there is no guarantee.

Led Zeppelin wouldn't reunite because Bonham is dead, but then they did. Kiss pulled it off (until they didn't). Van Halen is on a successful tour with DRL (minus Michael Anthony). The Sex Pistols did it. Even the Police did a tour recently. Hear that Axl, POLICE REUNITED!!!!

It's a drag when the fans, the real fans, can't get no satisfaction from the artist.
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Axl the Artist:


Axl Rose is the kind of guy that you hate to be around.
  • You know the guy that could run the fryer better than you at McDonalds? Yeah, that was Axl.
  • You remember the guy from grade school that would make up the rules of kick ball as the game went along because he sucked? Yeah, that was Axl.
  • You remember the kid that cried when you beat him at Chutes and Ladders? Axl...
  • The guy that only liked girls you liked? Axl...

Just because you can rhyme words does not make you a poet. Let's examine some of Axl's brilliance:

Example #1:
When I look into your eyes I can see a love restrained
But darlin' when I hold you, don't you know I feel the same?
Nothin' lasts forever and we both know hearts can change
And it's hard to hold a candle in the cold November rain
 
 
When I look upon his words I can see they sound the same.Maybe I am just wrong, and Axl isn't strange.
Is it possible that he's great, and the rest of us are lame?
He thinks it's rocket science, 'cause he smoked some Mary Jane.

Example #2
You could be mine
but you're way out of line
with your bitch slap rappin and your cocaine tongue you get nothin' done
you could be mine

Wow, that shit is so lame that I don't even care to rip on it. My point is that we take clowns like this too seriously. After all, it is the ENTERTAINMENT INDUSTRY for Rose's sake.

I'll bet that Axl thinks he can do pottery better than everybody to. That's the guy he is. And boy did he think highly of himself back in the day:


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Conclusion:

Axl, please stay home and cry about how it's you against he world. If everybody else around you are all assholes, chances are (it's you buddy)..........

Truth:
  • You are famous because of guys like me that saw some talent in a band, and believed in that.
  • You are famous because of guys like Izzy, that lent you his music for you to create a signature.
  • You are famous because of guys like Slash, a throwback to an era when image, talent and originality actually mattered.
  • You are famous because you had balls, and so did the bros you so easily cast aside.
  • You are famous because we let you be, and sooner or later the rest of the world will figure out that you are a hack. 

I will let James sum it all up (twice):







 Nerdin' like a freight train, flyin' like an aeroplane.





Tuesday, April 3, 2012

Discovering Otis

David Gilmore of Pink Floyd has said that he would have loved to have had the experience of listening to Dark Side of the Moon for the first time. That statement, albeit arrogant, makes sense to me, but I honestly can't remember the first time I was exposed to The Floyd, let alone the first time I actually "heard" their 1973 opus.

Along the same lines, Wesley Snipes told Woody Harrelson in White Men Can't Jump that although Woody had listened to Hendrix, he could never "hear" Hendrix. Cue the argument and the racially charged, Spike Lee penned, overly wordy dialog.

Do you see where I am headed?

I long for the moments when I actually "hear" an artist. When we are young, we are prone to "hear" much more. Its quite possibly due to our frontal lobes not being attached quite right yet, but I believe that when the world is fresh to newly opened eyes, the answers we seek are found in our generations music.

So much of what we listen to is complete crap served on a platter to the sheep of whatever trend is hip at the time. Too often, any true artist is completely overlooked by me, sometimes because they are lost in the shuffle, lost in a style that is uninteresting to me, or lost in the cloudy history of a bygone era.

Otis is the latter....

Long drives are the best times for me to uncover something I have not "heard" yet. Opeth, Shins, Sonata Arctica and Slipknot were all "heard" by me for the first time on the road. A few weeks ago, thanks to SeriousXM and a 4 hour trek up I-75, I "heard" Otis Redding for the first time. I was actually sittin' on that dock when the bridge kicked in with his message self acceptance. It sent chills.

Looks like, nothings gonna change
Everything still remains the same
I cant do what 10 people tell me to do
So I guess I'll remain the same

That powerful message has been lost on me for most of my life, both lyrically (in context of this particular song), and actually (in context of middle child syndrome w/ bouts with depression), and I am surprised that I never caught how dark the lyrical content of his largest hit actually was.

I've got nothing to live for, and looks like nothings gonna come my way... Dark stuff.

Who was Otis Redding?
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Otis Redding (Sept 9, 1941 – December 10, 1967)
Coming straight outta Georgia, Otis left school at age 15 to help support his family. He briefly joined Little Richards backing band, the Upsetters, after being discovered during a talent show appearance. For the next decade, Otis payed his dues by fronting various bands, touring the Chitlin Circuit, becoming a songwriter, getting signed to Stax as a solo artist and rising to become one of the Godfathers of Soul. Not bad for a man who died at the age of 26.




His influence goes way beyond Soul music.  He penned, recorded and released a woeful plea to his ole' lady in 1965, unknowing that 2 years later Aretha Franklin would turn into a women's lib anthem and one of the greatest songs of the 20th century. Respect. His version was also the musical inspiration for The Beatles Drive My Car (as stated by George Harrison).



How could Otis have known that he would help launch a Classic Rock revival in the 90's by posthumously lending Hard to Handle to The Black Crows?


Otis gave the Stones vindication by reworking Satisfaction. For me, it's kind of the better version.




One of my favorite Redding AD moments is the Otis inspired Try a Little Tenderness jam in the 1991 movie The Commitments, but I admit, I had no idea of the roots of the song at the time.

While researching this blog, I found out that it was also done by the cast of Glee. I have not heard it, but it shows how far the reach of his signature performance song extends.


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I decided to dig deeper, and start this current journey with Otis in the most unlikely of places, the dreaded Greatest Hits LP. Not that Otis's Greatest Hits is a bad LP, it's just water that I usually don't tread (save Bob Marley and Journey).

Like most Greatest Hits albums, it lacks consistency. I enjoyed the album and I am not dissing it at all, but it did not have a cohesiveness to it to really make it a good album... So I decided to jump off another cliff of presumably non-cohesive material, and I purchased Dock of a Bay.
                                                                                                                                                      Otis          Jonny Daye       Steve Cropper
The Dock of a Bay album was put together by Guitarist and Producer, Steven Cropper after Otis Reddings's untimely death in 1967. Save the title track, it was complied mostly of B-sides and unreleased material dating back as far as 1965. Despite this, it is still highly regarded as one of the best LP's of all time. Rolling Stone (I hate your magazine) has it listed as #161 of all time in their biased list of the top 500 LP's. I question so much of what goes into that rubbish elitist rag, but they sometimes get the legendary stuff right.... sometimes.

My mind is open to Otis now. What a gift he possessed. I think it is a shame that the entire album was not written in the same sessions, as I think the world just hit the tip of what Otis could have offered.

Instead of doing a tedious track by track break-down, I am going to geek out to two songs instead. Why? 'Cause they deserve it. Tramp and Dock of a Bay.

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Tramp

   Carla Thomas & Otis in the Studio
Tramp was originally released in March of '67, featured on the duet album King and Queen with Carla Thomas, but was also included on the Dock of a Bay LP.

To me, this song is a perfect storm of soul, pre-rap rap, pre-funk funk, R&B and fun.

Musically, I love how the guitar lays under the horn section in perfect, slightly off-time, harmony. I also wonder how many times the funky drum pattern has been sampled?


Lyrically, the song is loose and playful. The give and take between the two legends makes me laugh every time I hear it. It also makes me think that Eddie Murphy probably based some of his character voices on Otis. Two examples: the spoken word "That's good" response to Carla's diss of "Otis, you're straight from the Georgia woods", and the surprising "What?" scream after Otis is once again accused of being a Tramp.

What are Continental Clothes?

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Dock of a Bay

The song "Dock of a Bay", like so much material of that time period, was inspired by the Beatles Sgt Pepper's Lonely Hearts Club Band album. To me however, the song is more Abbey Road than Sgt Pepper, so I can only imagine where Otis would have taken us had he lived.

His label hated the song, as did several of his peers and family. It wasn't that the song was bad, in fact Otis himself though it might be the best song he had ever written, it was probably just a scary departure from R&B into something a little too unfamiliar. Otis reportedly wanted to go a different direction musically, and this song proved to be more that just an attempt.


This song is both dark in its meaning and beautiful in its delivery. That's the way I like music most days. When you can spin a negative statement into something that transcends it's meaning, then you have truly created something special (that topic may deserve it's own blog).

We all know this song, but how well do we know it?

I want to start with the acoustic guitar work laying so far in the background that it is almost missed completely. A simple chord structure: G, B7, C, A; that forms a basis for the up/down melody of the vocal.

The bass: Its flawless and unique given the acoustic guitar it accompanies. I wish I could write bass lines like that.

The lead Guitar: It's borderline country (good country - not the white bread, red solo cup shit of the modern generation - That's right haters, I absolutely did make that statement) with a hint if Reggae.

The brass section rises in volume to a nice underlying peak during the verses, bridge and chorus, and then back out just as seamlessly.

The whistle at the end? Years before Axl Rose penned the whistle to end all whistles (Patience - the whistle solo), Otis Redding perfected the craft by whistling a Steve Cropper guitar solo that was meant for the track. The whistle was mixed in posthumously, as were the ocean sounds and the seagull cries.

                                          As far as popular music goes, it really does not get better.

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Death, funeral and family:


Three days after recording Dock of a Bay, on December 10th, 1967, Redding was killed when his twin prop Beechcraft H18 crashed on Lake Monoma in Madison Wisconsin. Otis was scheduled to perform at a small club near the University of Wisconsin the following night and was traveling from a three show stint in Cleveland.


The plane was purchased to ease travel for Otis and his band and allow them to move easily from city to city.



 Otis was laid to rest on December 18th, 1967, entombed on his property in Round Oak, Georgia 20 miles north of Macon. His service was attended by over 4500 people, including Percy Sledge, James Brown, Wilson Picket, Solomon Burke, Sam and Dave and several other music insiders of the era.




Otis was an artist who actually kept his publishing early on in the music biz. This leads to a fortune for his family, as he was also smart enough to have a will leaving everything to his immediate family.

Taken from July 18th, 1968 issue of Jet Magazine:



One last thing about Otis and I am out. Another blogger pointed out that there is no real controversy surrounding Otis or his legacy. Everybody that knew him or was associated with him says that he was a good person. That is rare and should be celebrated, especially given that our current culture celebrates mediocrity and stupidity. Everyone is not special, so stop telling your kids that they are for no reason. Let them find something to excel at and gain praise for something palatable. Let them flourish and make mistakes. Give them direction, discipline and love. Pray that they don't end up a talentless hack that needs you to call them in sick to work when they are 20. Pray that the path they tread is filled with respect and dignity. Show them how to love themselves so their relationships in life are healthy and fulfilling. Hold them, squeeze them, never leave them, you gotta, chewbacca, ewe gotcha...Try a Little Tenderness!

Whoops.... I digressed, didn't I?

True talent is something that a past generation held in the palm of their hands with the likes of Otis. RIP Mr. Redding...



Nerdin' aint easy....