Friday, December 29, 2017

An Imperial Transport Named Desire

I took my 7 year old daughter to see The Last Jedi on Wednesday. She liked the experience of the theater, and I took the opportunity to allow her extra butter on her popcorn, and even let her have some Dr Pepper (I am getting soft these days).

She is at an age where she critiques everything. Typically her critism starts with "I like it, but," or "it's good, but". Usually she is talking about eggs or a song. Yesterday it went a little different:

As we were leaving the theater, Peyton turned to me and said: "I know Star Wars is your favorite movie, but..." I stopped her before she could dump on the daddy/daughter experience too heavily, which would not have been her intention, but I've learned to squash negativity with kindness before it starts. "Honey," I said with my best (and really lame) soothing Dad voice, "Star Wars is not my favorite movie." She then informed me that she would have like to have seen more of Leia's '77 hair buns.

But there it was: Star Wars is not my favorite movie. It's like saying Metallica is my favorite band. I love them, I root for them, I celebrate their worldwide appeal, I was massively into them when I was a kid, they set the benchmark, but not my favorite, not by a long shot.

To a child of 7, picking a favorite is easy. I wish life remained that simple some of the time. When I was 7, Star Wars was my favorite movie, so I can relate to the assumption. Maybe the Star Wars Jammie Pants, the classic Star Wars glass, or the Wookie coffee mug led her opinion in the matter. Honestly, if she looks at me under the guise that I am sometimes still a kid inside, we are all the better for it.

Much like my musical scribblings, I tend to deep dive into Star Wars because I feel like I can. I've asked Peyton how she really felt about The Last Jedi, and as of this writing, she is sticking to her script about Leia, but am pretty sure she was neutral overall. For me, I'm feeling pretty "Meh" about it. This is dangerous ground, but I am not sure I really liked The Last Jedi very much. I found it to be stale in many ways.

Rey is great. She is taking the franchise in a good direction as the heroine of today, so my beef is not with her. If Peyton even remotely identified with this strong, young female lead, then mission accomplished. Finn is good too, and Poe is the right guy to fill Hans shoes.

That leaves us with Kylo. He is just not dangerous enough despite his boyish temper tantrums. Palpatine, Maul, Vader, and even the strangely unexplained character Snoke had an element of evil. I fear there is too much conflict in Kylo.

Vader and Maul are good benchmarks on what a great Sith should be, for sure. I want a proper Sith. Kylo Ren is like the replacement guy after the Attitude Era of the WWE. He's just not the guy to carry the New Order into my galactic storyline curiosity.

It's a bit of speculation, but I'm feeling the worst is here: oversaturation.

A 2 year build-up is great, but was it? The filler movies are taking a portion of the hype away. Also, with all of the cliff hangers left unanswered, or worse, blatantly brushed off, I'm a bit let down.

Soooo... for the next movie, I propose the following: Rey finds out she is Luke's child, Kylo carves up Luke, Luke takes a Vader suit and goes on an ill inspired killing spree, eventually becoming Kylo' s apprentice, "Darth Arkham" bringing balance to the force.

Word.

Nago

Wednesday, November 29, 2017

Another stupid Kiss blog

If you follow my scribblings, you may think I am a some huge Kiss nerd. I guess it depends on the mood. I never really find myself actually listening to Kiss for recreation. I actually prefer 80's Kiss over any other era. I guess I am hardwired to write about what I know about. Today, for some strange reason, I am back on Kiss.

Recently, Paul stated in an interview that he felt like Gene spends a lot of time trying to be PT Barnam. That is a great analogy of his life partner. I guess in my mind, it's easy to state that about a person, but you 100% benefit from coat tail riding. Maybe not creatively, but absolutely monetarily.

Paul gets residuals on the use of his image, as does Ace and Pete. For the latter, it may be the only actual income generated at this stage of his life.

Paul did have the reigns for a decade or so. The 80's belonged to Paul's vision of the band, which kept them alive (pun intended) way past their kooky shelf life. Kiss became a full fledged hair band, and rightfully so, as they are never given enough credit for being architects of the genre, and also really precursors Thrash and European Disney Metal in a way.

Paul and Gene are very much life partners, different from other rock duos in their solidarity. Paul has said some vanilla things to the negative, but really only in his emotional reaction to circumstances out of his control.

For instance: Paul has opened up about his disapproval of Gene become the dominant voice of Kiss during the Revenge era. However he is smart enough to understand that he was the driver of the 80's Kiss train, but come 1990, styles had changed. His effiminant style was out of character in the 90's, and the fans responded. Gene peaked in the more aggressive world with "Domino" and "Unholy." Paul did take a back seat, but was fortunate to be able to continue in his amazing career due to the diversity of his organization. We should all be so lucky.

Paul also makes no bones about his former bandmates inability to hang. I respect that completely. Even though they could be very negative about much more, typically Paul and Gene take the high road, not deep diving into the mud, rather taking well aimed shots and shutting down the line of questioning. Not in every situation, but they always conduct their business with dignity.

I may take some heat for the above paragraph in regards to session players and behaviors deemed unscrupulous by mega-fans, but aside from some sketchy artistic turns, the moves they made were for the betterment and continuation of the band AND the brand.

Gene and Paul deserve some credit for their commitment to each other. They didn't stray like Joe and Steven, and didn't publicly trash each other like the infamous duo's of Rolling Stones, Beatles, Kinks, and Oasis. To this day, 40+ years later, they stand united.

In a world where most partnerships are fleeting at best, a mutual understanding of solidarity is refreshing.

Nago

Wednesday, November 22, 2017

Uncle Phil and the Zen of Bel Aire

Time for a holiday deep dive into the beloved "Fresh Prince of Bel Aire" TV series. Why? Well, I was browsing YouTube this morning, and saw the reunion of Will and Alfonso on the Graham Norton show.

Believe it or not, I have quite often wondered if Alfonso was bitter about Will's success and riches. So, I looked it up. Alfonso is doing just fine financially. That leads me to wonder about Jazzy Jeff, who probably is really bitter about Will's second career as an actor after they came up and found sucess as a duo.

Here are the numbers (according to Celebrity Net Worth):
Will Smith: $260 Million USD
Jazzy Jeff: $8.6 Million USD
Alfonso Riberio (Carlton): $7 Million USD

It shouldn't come as a surprise Jazzy Jeff is richer than Carlton, he did have a pretty good run in the music industry. I assumed he was broke, as I have seen him advertised performing at Cheerleaders in Pittsburgh (that's a strip club, in case you didn't know :/). I guess a strip club tour is lucrative?

The year "Fresh Prince of Bel Aire" first aired (1990), I also found myself moving from the bustling metropolis of Erie, PA to the small town farming community of Union City, PA. The circumstances were not exactly the same as Will's move, but I was in a bit of heat with truancy from school, and was a trouble making street rat running with a like minded crowd. I was 15, and didn't want to move at all. After months of fighting it, I finally accepted my position, and made friends with a musician oriented crowd in my new enviroment.

I used to kid that I was the Fresh Prince of Union City, and in my mind, I absolutely was. The "new kid" syndrome fit my ego very well, and Erie was the big city to kids in the country community. I ate that shit up. The perception of knowing something others only heard about kept me feeling a tad dangerous, but in hindsight, it was a joke.

Will Smith's character suffered the same fate, as street kid struggling to fit in a prep school environment. Set to a comedic backdrop, it was a perfect marriage given the early 90's hip-hop culture.

These days, I am not a fan of laugh tracks, back then, I cared a bit less. I really loved the show, and I still do. It was a transition show of sorts, bridging the gap between family oriented sit-coms of the 80's and the new breed of comedy shows soon to become the norm (Seinfield, Friends, Mad About You, etc). It is still funny, and finding new life with snippets on YouTube.

It's hard to be mad at any move Will Smith makes these day. He has become one of the highest paid actors for good reason. His skill set is amazing, but I will always be a fan of his original comedic chops.

Happy Thanksgiving!

Nago

Monday, November 6, 2017

Bad Hair Day, July 1987


For many years, I have avoided deep diving into my youth in regards to Bon Jovi. Last week, a picture popped up in my timeline that ended the cycle of avoidance. This photo, taken on July 25th, in the year of our Lord, 1987 (30 years ago), captures a moment of people waiting in line to see what was to become my first major concert experience.

I was 12 years old that summer, and a true, blue poser. My sister's friend somehow ended up with a few extra tickets to the concert event, a rare outdoor stadium show in Erie, PA. That fateful day, Bon Jovi brought his "Slippery When Wet" tour to the Veterans Memorial Stadium, located at the foot of what locals referred to as "the Whore House on the Hill," also known as Academy High School.

Why such a large structure was constructed at the foot of an inner city high school in a somewhat small city is a story not found on any current Wiki page, but, Veterans Memorial Stadium was constructed in 1924 as a large football playing field. Officially, it seats 10,000 in the stands. That day, the field was open to general admission. The recorded head count for the Bon Jovi concert was 15,608 people.

We all remember it being hot that day, as several people were treated for heat exhaustion. For Erie, a city that sees 101 inches of snow (on average) per year, it was blistering. According to the web, the temp was 84 deg. F, with 91% humidity. In an era of long hair, jeans and high tops, I am sure the ozone layer had a huge hole over Erie County due to the large amount of Aqua Net represented by the crowd in attendance, which most likely added to the heat index of the day.

This L.P. and tour were breakout moments for Bon Jovi. It cemented them in the eyes of pop culture as more than just another Hair Metal band. Their production, songwriting and promotional values set the bar for the next wave of pop-rock, including the "live setting" music video trend that every single band followed for years. Bon Jovi quickly rose to the top, and somehow even managed to survive the Grunge trend a few years later.

Women loved the look and easily accessed hooks of what became an instant classic. "You Give Love a Bad Name," "Living on a Prayer," and "Wanted Dead or Alive" were the three huge hits off the L.P., and justifiably so. Guys quickly gravitated to the harder edge of the album, which may have been the first true successor to Def Leppard's massive 1983 release "Pyromania" in terms of pop metal production.

The lines were very blurry then, and "Heavy Metal" fandom encompassed Maiden, Crue, Bon Jovi, and Metallica somewhat equally. Even the heaviest of the previous generation released lighter offerings around this time (Judas Priest "Turbo" and Iron Maiden's "7th Son of a 7th Son" for example). Bon Jovi fit the mold perfectly, and if I am being honest with myself, "Slippery When Wet" was awesome for this young music fan at that time. Already a fan of the previous 2 releases from the band, having spent many an afternoon jumping off of my bed strumming a broom to the sad, yet catchy af, and hugely underrated "Only Lonely" from 1985's "7800 Deg. F," I was primed and ready for the radio friendly follow-up. I am sure the concert was a major deal in my young life. The timing was perfect.

Jon Bon Jovi had family ties to the Erie area. Every now and again a pic would surface of him standing with a local person. I remember seeing one of him with his arm around the lunch lady from my middle school. I had known several people claiming to be his "second cousin" or some such rubbish. Honestly, everyone knew someone claiming to be related. I guess Erie needed that connection at the time. We were a town struggling with identity, grasping to the positivity of a world wide connection to greatness. We were, and remain, a rebellious lot. Today the city is alive with bike rallies, outdoor shows and block parties. Back then, were a culture straight out of  B Movie Hollywood, equal parts American Graffiti, Fast Times at Ridgemont High, Breakfast Club and Heavy Metal Parking Lot.

The excitement of that day, mixed with the heat exhaustion and confusion of the first time concert experience makes the whole thing a blur to me. My best memory is of a girl I had never met before giving me some water. I guess I looked rough, and ready to pass out. Again, it was hot.

If a picture is worth 1000 words, the pic shared by the Erie History FB page did not disappoint. From what I do remember, neither did the band. Erie is full of human history, and is a special place for its resilience. It has been 15 years since I came to the 'Burgh, yet I still identify myself with Erie. It is the land of my youth and the ground that my forefathers helped shape. 

That hot July day was one many will cherish, and have cherished for some 30 years. Whether it be untrue tales of opening band, Keel, besting the headliner, memories of a long ago romance making out in the crowd to "Never Say Goodbye," or the immense sound of Sambora's acoustic opening of "Wanted Dead or Alive," the day will live on in the hearts and minds of many Erie-ites in infamy.

Nago

Friday, November 3, 2017

Nothing at all...

In six years of blogging, I sometimes write about Dad Rock, sometimes movies, and sometimes its just cathartic ramblings. I often wonder if this medium will hang around for a long time, like maybe someday my great grandkids can look back and be like, "that dude was crazy."

Putting that idea into perspective could be interesting. My kids were able to meet and hang out with their great grandparents. Would they have cared to read their weird thoughts, especially if it was in regards to pop culture and music?

Black Sabbath released their first L.P. in 1969. Let's say an adventurous 24 year old fell in love with dark undertones of the band and followed them through their career. Now, let's say that same year, he fathered a son.

1979, this same person could have very likely been into Judas Priest at age of 34. Meanwhile, his 10 year old could realistically like the same music his father turned him on to, and was minutes away from the next generation of Metallica.

1989. This father, now 44, and his son, now 20, both like Metal, and both share a passion for heavy, dark undertones. This same year, his son fathers his first grandson.

1999. The now Grandfather, 54, who is probably less concerned with trends in heavy music, takes his son, now 30, and his grandson, 10, to see Black Sabbath at Ozzfest during the Reunion Tour.

2017. The grandfather, now 73, his son, now 48, the grandson, now 28, go to see the Black Sabbath "The End" tour, marking the final time the original band will play live. It is entirely possible that the 28 year old has a child of his own, and it is also entirely possible that the child could fall in line with the music his Great Grandfather fell in love with 48 years earlier.

This is not my scenario, but it stands to prove that maybe, just maybe, someday my great-grandchildren may actually care about my ramblings? Probably not.

One other note: Heavy Metal is gonna be 50 in less that 2 years. Wow.

Nago.

Friday, October 20, 2017

Wait just a medichlorian parsec...

I'm getting jazzed for The Last Jedi. I can't help but get sucked into the hype, but I'm starting to worry about some of the trailer info and fan theroies.

There is a part of me that likes the idea of a new plot twist concerning Luke turning to the Dark Side (as so many interpretation nods from the trailer seem to suggest), but there is a much larger, almost sacred part of my soul that is screaming out... NOOOOOOO!

I am 42, almost 43, which means that I was 2 (or 3) in 1977. Therefore, Star Wars is not about Prequels, it's not about Clone Wars, and it's not about Anakin bringing balance to the force. It is a story of Luke's journey from simple farmboy roots into the last Jedi. All of the drama of discovery, loss, family, and redemption serve as his pallet. He is the definitive hero of Star Wars.

My issue with what has been created since has little to do with how Lucas tried to turn the whole mess into Anakin's story. That could have been great. The biggest issues with the prequels are the blatant disregard of clean tie ins. It's forced, and horribly so in the worst cases. A close second is the cartoonish CGI. I have always thought the CGI in the prequels were bad, and I was proven right by time. Bad bad bad. Control Alt Delete please.

Enough about that. Disney has done a decent job (so far) with continuity, not really spending much effort on anything prequel related (save the pretty good SW Rebels cartoon). They do need to advance the storyline, and The Force Awakens did a really good job of bringing us back to basic good versus evil. However there is a lot of internet chatter about Luke turning to the Dark Side, and if that happens, a piece of my childhood turns with him.

In all of the countless hours of action figure battles, Luke was the hero. Always. I will admit, turning "heel" works for different reasons at different times for many a laxidasic character, but we have only seen 5 seconds of Luke in this generation. I am hopeful he is Yoda, not Dooku.

In conclusion, it probably dosent matter, as life will go on either way. This next generation of Star Wars fans deserve something great like I had. If that means Rey is the hero, and Luke turns heel, as long as it's tastefully done, do it. Given the concense decision to closely follow the original trilogy, it would make sense to have the father figure turn bad. I expect it to be a bit dark, like Empire.

And now I am hungry. May the forks be with me.

Nago.

Sunday, October 15, 2017

20 GOTO 10

I am on a roll, writing everyday, and enjoying the shite out of it. Idle hands doing the devils work? Maybe, but it feels good to be expressive again, so phuck it. No "processing" needed. Now there is a term I really hate. "I'm still processing" is a ridiculous statement designed to deflect, and should only be used by data entry clerks and actuaries actually working.

However, the one exception could possibly be "processing" a challenging work of art. The senses usually know if something is palatable to your tastes, but every now and then your senses NEED challenged to achieve personal growth.

Think of it like this: we all know that one guy who has had the same hair style since his heyday. I'm not talking about a timeless doo, more like an uncomfortable lack of sideburns and rounded over the ears cut. This person still rocks the same tunes, quotes the same movies, and brags about the same stuff as he did 25 years ago. He resists modernizing, probably out of fear of rejection. You know him: he'll be rocking Jean shorts, white sneakers and t-shirt (a size or two small) on the weekend, probably living in the same house and cutting the same grass as he always has.

Yet his mind, unquestionably needs stimulation on a rudimentary level. The same guy listed above could, for instance, follow simple changes in his chosen genre to feel current in some way. He grew up loving New Kids on the Block, now he is into One Direction. It's not that far of a stretch, really. A simple change is all that is needed to fill that void. Pop culture understands this, hence the reason we have not really moved to far forward in regards to entertainment or fashion in 30 years.

I wish I had the simplicity of this problem. I seek out more than simple 5 chord songs for inspiration. My sons are the same way (sorry guys). I need challenged every once and awhile. I need to process in order to really appreciate a great work of art.

2 examples that took a minute to really enjoy are my beloved Opeth and my man crush on Punch Brothers. The reactions to both were similar. I heard a song, and by the time I was finished listening, I was inclined to listen again, unsure if what I just heard was genius or rubbish. I processed, data crunched, and equated that I would forever be a fan boy of both. And, as true artists tend to do, they have both challenged me on many levels since.

Opeth: Bleak
Punch Brothers: Movement and Location

It's not just music that challenges my senses. I know I may not be everyones cup of tea stylistically, and I don't care. I am blessed, however to have a sister who is a very accomplished Hair Stylist, catering to people seeking a modern flair. At least once a year I can go sit next to her and say, give me something current. Hence the #1 to #2 fade with the hard part, which is my 2017. That way, I leave the processing up to the beholder. I don't have to think at all about it.

Also, when people try to call me GQ (which is ridiculous and laughable), I correct them and say "Nordstrom," which is more accurate. I am, after all, white collar, and care about my brand. I think chicks dig it, so I'm good with it.

In conclusion, it's probably not good to use the term "I'm still processing" in everyday speech, unless your talking about the Metallica/Lou Reed L.P. "LuLu," or answering the question "Can 2017 Lorde really still speak to the working class even though she is rich and famous, kinda the way Springsteen does, and if not, who the hell does she think she is anyway?"

Process that.

Nago

Saturday, October 14, 2017

A window may be better than a door.

It's Saturday morning. I am having a lazy Saturday thus far, which feels rewarding given the amount of pressure I tend to lay at my own feet. Unwound, drama free, relaxing morning. Celebrate with a little writing? Why not?

I am marathon watching Anthony Bordain, and really enjoying the narrative nature of his foodsie travel vlog. He sells himself as a drunkard, in truth he is a scholar.

Shows like this give us a window into other cultures, emphasising tradition with a lesson into modern flare of the subject matter (for the span of 44 minutes). I love shit like this. Always have. It's a peek into something I may never experience abroad, but also serves as a reminder as to why I enjoy domestic travel.

For instance, last week I was very fortunate to go on a walkabout into a small South Carolina city just outside of Charlotte, taking in the local culture, past and modern, to a larger degree than I typically have opportunity to do. Like Bordain, I am always attracted to nightlife, however I tend to stay away from heavy party atmosphere. I'd rather sit at a large oak bar sharing war stories with disposable friends than feeling awkward standing in a crowd of people half my age. I live my adventures during the day these days, and despite my physical therapy appointments due to daytime fun injuries, I believe a day in the life is better on the limbs than nightlife. 

Bordain reaffirms something I have come to  realize, that people are basically the same regardless of the location. There are always some that choose to view you as an outsider, but they are basically the same people that hate everything. Misery loves misery, and assholes pucker together. Universal truths unaffected by geography... Word. The good people of this world are unabashedly kind and generous. If a short term parachute into a strange environment is all that it sought, then guides aplenty surface to show you around.

Today I miss my son, but I know that I'll see him tonight, so peeling myself away from the TV to complete some outdoor chores will be good for the spirit. I am looking forward to an evening of music with my son. Some great times are had at the local biker pub, albeit a little strange to be accepted in that environment, as it is a bit strange to me to walk in at all. But, a head held high and a good non-threatening posture communicates to others: you want no trouble.

Here's to a good Saturday.

Nago

Friday, October 13, 2017

Do you have a Warrant?

Warrant is playing at Jergels tonight. I keep shifting between caring and not caring.

Pros:
Great catalog
Not sitting at home alone
Embracing my hair metal roots is therapeutic
Scantily clad middle aged women

Cons:
Jani Lane is dead
I typically don't do hair metal nostalgia shows
New material
Scantily clad middle aged women

Jergels is a cool venue overall. It's the type of place that can host an up and comer, a nostalgic touring band, a local popular band or just pack 'em in with a bike night. It has a great stage, lighting rig, PA and open floor. It's clean, classy and not too expensive. It holds 500 at capacity, and the staff is a+ overall. The downside is the location, it's a little far from everything.

Seeing Warrant at Jergels is not a bad ticket. They could be playing a much worse venue.

Warrant was a hair band that actually had really good songs. They pounded the same LA scene as Poison, and was only a few years or so behind them on becoming massive. I distinctly remember dancing with my crush at a Erie Civic Center dance to their 1989 massive hit power ballad "Heaven" during the summer vacation between 8th and 9th grade. She wore a white button up blouse, jeans and flats, I wore a t-shirt, jeans, hightop sneaks, and a fringed Suede coat. It was August, I was sweating.

The song was a single from their L.P. "Dirty Rotten Filthy Stinking Rich." As far as hair metal goes, this album was tits. The lead single "Down Boys" was a clever song with a double entendre meaning. It followed a mid-pace tempo, but was light years ahead of the rubbish competition coming out around them. It was easy to shine against Bang Tango and Danger Danger. The exception was Skid Row, no one came close to Skid Row, not even Warrant.

The L.P. went platinum as the record company designed it to, and Warrant entered the 1990's with momentum. If they only knew what was brewing in Seattle.

In September 1990, they released their sophomore album, "Cherry Pie," and their legacy was cemented. Cherry Pie (the song) was annoying but sent these guys to the moon and back. Jani Lane hated the song, as he spoke about at length during his Peter Green/Sid Barret phase after the fall of hair metal. However, the record was really good. Like really really good.

"I Saw Red" was the power ballad single, and again, it pushed the lyrical content boundaries of the genre. Jani Lane wrote great clever lyrics. He was a story teller with a knack for the 4 minute medium.

I wore my Warrant tape out that year. Then, like everyone else, I stopped caring.

People talk about the onset of grunge like a hammer falling on pop culture. It wasn't quite like that. It brewed for a few years before killing off the last of the Hair Metal stragglers. I personally believe that GnR, Metallica and Faith No More were equally as responsible. My interests changed along with my generation. I was becoming a man around that time, and by age 20, I had my sons, so there was not a lot of nurturing my artistic side due to family responsibilities and work. Soundgarden and Pantera became mainstays in my 6 disc changer.

I do recall hearing about Warrants 3rd album, "Dog Eat Dog," the crux of which was supposed to be really good. I still have not listened to it. I am sure Eddie Trunk loves it, and feels it's underrated.

So, do I go see them? No, I won't. This blog was nostalgic enough for me. Besides, I bore witness to Hall and Oats & Tears for Fears this year. Nostalgia fix overloaded.

So, my house is where the Down Boys go today. I have a Salmon Steak ready to broil anyway.

Nago

Wednesday, September 27, 2017

Vinnie Vincent?

Ok... here we go again. Discussing another legendary metal guitar dude AND Kiss. Two turds, one stone?

Vinnie Vincent is a regular insane musician, who's rise to international fame crashed after he showed his ass to Kiss, re-rose with the horribly underrated Vinnie Vincent Invasion (which morphed into Slaughter without him), and kinda had a tri-fecta when he reemerged to write some bad ass jams for (none other than) Kiss on there massive 1992 L.P. "Revenge." The latter story is probably the most untold, but somehow he reconciled with Gene long enough to write some heavy stuff, then he once again showed his ass and was cut off entirely.

Rumors about cross dressing emerged, he was arrested for domestic abuse, lost a bankruptcy case, and fell into obscurity.

I remember hearing he showed up to a convention dressed in his Kiss persona makeup, but I don't really care to research when that was. The point is that he has once again reared his crazy head to announce he will be appearing at a Kiss convention in Atlanta next year. The announcement of this appearance came with a press release that the convention strongly "negotiated" for him to appear.

Conventions of all sorts are very common today. I have been to a horror convention myself, and met several "D" list celebrities attached to the spooky film genre. Each year I see the advertisements for Comic Con, and am always amused by the cast of former (and sometimes current) celebrities. I have wondered many times how much these people get paid for these appearances. Is it a 6 figure thing?

With this in mind, I assume a large amount of the artists revenue comes from $25 dollar photo ops, and if that is the case, Vinnie is a big draw. Consider, if the photo is only $25, and 500 people want one, $12,500.00. If 1000 people show up to meet him? You get the idea? Also, the convention will probably pay him to be there, and that rate was probably 5 figures, plus travel, plus Per Diem, and probably a rider.

I wonder if he will find a way to fuck it up?

That is all.

Nago.

Friday, September 22, 2017

Cost of Yesterday

There is always a cost for everything we do (and don't do). People find misery in the past, and allow it to own their future. From time to time I allow myself to slip into my own past, and it's usually when I introvert the heaviest. I'm going to get back to working on that.

I had a friend tell me the reason she was so "fucked up" was because of the way she was raised. I honestly don't doubt that, even though she may be a little less "fucked up" than most people. Our basic behaviors are absolutely instilled very early on by the mentors charged with molding us. This is pretty basic stuff. I've hidden behind a wall of perception to the average Joe for many years. I don't spill my past to everyone, mostly because the people I deal with daily would never understand it, and think ill because if it. Honestly, to get caught up in doing that is looking for sympathy, which I am not. Personable, bright, funny, sarcastic, and driven are a few of the adjectives thrown onto me by people, and I like all of those traits about myself. To muddy opinions with tragedy is silly. The past is best left in the past. Or is It?

I have a very small degree of anonymity in this forum, and I am considering piecing together this strange, convoluted journey of mine from birth till parenthood. I started recently, although I did not intend to. Sometimes things will write themselves. I was not going to post it, but decided to say "fuck it," and throw caution to the wind.

Along the way, people may get hurt by my words. Some may dispute my timelines and details. The truth is I don't always remember the exact timeline on things, nor should I be expected to, as I was a child. Furthermore, I have always been faced with criticisms, so I don't really care. The stories are true, and that's what matters. The details are as I see them, and sometimes you just have to sing for the sake of the song.

I heard and repeated the word "obtuse" yesterday. Obtuse will have to be how I approach writing about bad stuff. Reckless may also be a good description.

Right now I am headed out for a much needed weekend with my family. I will be picking brains a bit while I am there, I am sure.

Nago




Wednesday, September 13, 2017

8 Year Old Me, in 1983, Hanging with Maggie

In a downstairs flat, during a 2 year stay in the Tremont area of Cleveland, OH, a one speaker transistor radio lay in the window of a small living room. A living room in name only, with poorly strung window curtains separating the space from the drafty entryway and the rest of the flat. This curtain was the only defining feature allowing any privacy from the 8 year old boy's 3 sisters, mother and step-father, all residing in the cramped space, a space rented from his step-dads drug buddy.

These days, Tremont is a upscale neighborhood long since having an inner city renaissance, but in 1983, Tremont was borderline ghetto. Tremont park, the town square, was a bustle of movement in the summer days, with kids of all ages occupying the city's pool, break dancing on impromptu cardboard dance floors, and trying their very best to be "fly" to all in eyeshot. As a witness, it was amazing, as a kid, it was dangerous. If you were weak, you could be fed upon by neighborhood bullies looking to up their street cred. I was tall for my age, but skinny and goofily growing into my knee caps and elbows. My height made me a good target.

8 years old in the summer of 1983. My world was small even though THE world was big. I may have been a loner even then, becoming lost in interests other kids in my neighborhood would never understand. There were some standards, to be sure. Star Wars was part of my daily thought process, as was Marvel Comics. Many afternoons were well spent at the library, deep diving into (then) lesser known titles such as Hawkeye, Powerman, Iron Fist, and Cloak and Dagger, while also developing a deep appreciation for the alcoholic Tony Stark and the James Rhodes tenured Iron Man of the early 80's.

Missing from my daily life was appreciation for early hip-hop fashion dominating the streets at the time. We couldn't afford fat shoelaces and parachute pants anyway. To really be a b-boy, you needed to own it. I had no choice but to be a radio head, finding some solice in top 40, popular 80's music through the one speaker transistor radio on my windowsill. As an 8 year old, escapism was equal parts imagination and exploration of the city around me.

The distractions were needed. My parents slept most of their drug infused days away.

Cleveland was a good port for their lifestyle due to the ease of access to the downtown methadone clinic. In the early 80's methadone was not handed out in every city. Many of the numerous moves we made early on were strategic in an effort to live in close proximity to an inner city methadone clinic (and the drug culture surrounding it). The intent of this legal heroin replacement (Methodone) was to ween an addict off of the hard stuff, slowly lowering the dosage until a person no longer had horrible withdrawal symptoms. The not so dirty secret was most users continued to use hard drugs while on methadone. If you were absolutely broke, methadone could greatly reduce dope sickness until the next welfare or SSI check came, but in order to stay on methadone, one only had to relapse. It was a government run crack house. You don't have to be an adult to see truth of addiction: an addict will always find a way to score.

Most of the clothes we wore came from church donation centers, which were pretty prevalent in our neighborhood at the time. Meals were also typically eaten at one of the many church basement soup kitchens bordering Tremont Park. Attending an actual Mass was not required, thus making it a normal stop for the non-committed family of 6. It was after one of these meals at the church rec center, walking home through Tremont Park, I met my then Best Friend, Maggie May.

Maggie was in a cardboard container not much bigger than a shoebox. She had white curly hair, and the appearance of what we now would call a Labradoodle (albeit a bit smaller than a standard). There were several dogs of all colors in the box, but Maggie was special. The kid holding the box was giving away these pups, which was not really unusual for the time. If you owned a dog in Tremont circa 1983, it was either a Pit Bull, a Pit Bull Mix, or a Mutt. Spaying or Neutering a dog was something poor people did not do. So a kid with a "free puppy" box at the park was pretty normal. What was different about Maggie? I don't really know. She seemed to be mine, that's all I can say. She whimpered, but she didn't run. She just sat there, staring back at me.

I collected my new dog, but immediately sweated taking her back to our apartment. My step-father was usually not in a good place on any given day. He had horrible mood swings depending his level of withdrawal, and greatly resisted the idea of a pet. I pictured getting belt sores across my legs for even thinking of bringing a dog into HIS home. That was his darkest period, for sure, but none of the children in his care were strangers to his drug induced verbal and physical abuse. It was an accepted part of being in his family.

This particular day proved to be a lucky day indeed. Step father was in a good mood, and my mother embraced this puppy right away. The two of them named her Maggie May after the Rod Steward single from a decade prior. I received a threatening speech about taking care of and cleaning up after her, but the empty words about a future ass beating occupied no room in my young mind that day. I had a dog. I could not believe it, I had a dog.

Maggie, as I remember her, was very loving toward the kids in the family, but as kids, we had no idea how to house break her. Accidents in the house were so frequent, that we were continually berated for it, but despite numorous threats to give her away, she managed to hang around long enough for him to somewhat accept her.

As gentle as she was, she knew her people and was defensive of them. Somewhere around 8 months old, I was walking her through Tremont Park  when a hood bully came up and started making sarcastic remarks about my "poor kid" attire. Maggie sneered, growled, and let out a vicious bark loud enough to strike fear. The bully turned to leave the premises with some parting words about keeping my crazy bitch dog away from him. She was with me always from that day forward.

Maggie would lay with me on the floor, listening to that one speaker transistor radio. Always content to just be in the room with her people. In return, we showered her with praises and affection. I do not recall a time when we had an abundance of dog food, so Maggie would eat whatever scraps we could muster up. She never complained, always seemed happy, and always content in our presence.

During our brief time together, Maggie made a move with us from our flat to a house a mile away. The situation was better because the yard was fenced. There was a house directly behind the one we rented that was occupied by a man called Frank and his family. Frank was another drug buddy of my step-father, and was able to vouch for him in order to get us this house at a discounted rental price. It was ideal for us. It had 4 bedrooms, and I had my own room, complete with a door!

Once, the light bill didn't get paid, and old Frank let us run an extention chord into his house until it was settled. It was dark for a week or so, and I imagine my Grandpap came to Cleveland to bail us out, but I have never forgotten the decency of the act. Honor amongst thieves?

Frank's family had a dog, and Maggie instantly became friends with the beagle mix. They shared a small fenced yard, so they really didn't have a choice, but them getting along was a critical hurdle for me, as my step father constanly threatened to get rid of her, and fighting with his buddies dog would have been a sure fire deal breaker. Unfortunately, this would ultimately lead to her premature demise.

One afternoon, the dogs got out from under the fence. Maggie made it about 10 feet from the house, running into the street when she was hit by a car. I watched in horror, unable to comprehend what was happening, and not at all ready for what was about to happen.

Maggie crawled toward me, and I did the best I could to pull her onto the sidewalk. She was hurt bad. I know now the she was bleeding internally, as I saw her underbelly turning bluish purple as I was trying in vain to drag her out of the street. She whimpered, but she couldn't walk, so she just layed there, staring back at me. She was probably dying.

I was hysterical. I ran into the house and woke my mother up. Everything happened so fast from there. My step father came outside and ordered me into the house. He said I needed to calm down and he would take care of it.

I didn't see what happened next, but I heard it. I was sitting the couch. In denial, praying it was not what it sounded like.

He came in the house with a bloody baseball bat, sawed off at the thickest outside diameter. A weapon he kept by the front door. He called it his equalizer. I heard the blows delivered, heard her cry, but still didn't believe anyone could be so cruel.

"Is she ok?" I asked through hysterical sobs. "She is now," he said holding up the bat. "She is now."

This was a mercy killing, she was dying and in pain. I have always known that. There were no vet clinics for poor, ghetto mutts, and the step-father knew that. He did what needed to be done. However, this was not an honorable lesson for a young man, as there was no comfort in his tone, just sarcasm aimed at breaking my heart. He lost me forever that day. I sat in my room, listening to that single speaker transistor radio, eventually falling asleep. Maggie May was buried in a shallow grave on the side of the rented house before I awoke.

Over the course of the next three years, my mother and step father divorced, rehabed, and walked separate paths on the rocky road to recovery. Eventually, this man earned his MBA and had a successful career as an engineer, while his ex-wife never fully recovered, abusing pain meds to this very day.

His self abuse caught up with him eventually, and cirrhosis set in. Not long after he was signed up for the transplant waiting list, he was hit by a car while crossing the street. His injuries were not typically life threatening for a person of good health, but his cirrhosis kept doctors from treating his injuries for fear of liver failure. His organs shut down, and he left this world with his daughters, step kids, and ex-wives surrounding him 3 days later.

Through my childhood years, my story followed a path set forth by the examples laid before me. Foster homes, detention homes, teenage parenthood, binge drinking, theft, running away and street fights. Insubordination speeches and zero respect for authority were part of daily life. I have been put away. I have cheated and been cheated. I know the thrill of the chase, and I have been on the losing end of a brutal ass kicking or two.

Somewhere along the way, I figured some of it out.  Somehow, I ended up with amazing sons of my own, who probably grow tired of me telling them I love them. Somehow, I found a way to work hard enough to have a rewarding career and a home. I attended college, I have recorded 4 L.P.s over a 15 year span do to a knack for songwriting. I have a blog going on 6 years old with hundreds of entrys. People ask me how I am? My answer is "always good." When I wake up early each day, I smile and embrace it.

After my step father died, I helped my sister with the details of the estate and the planning of the funeral. I did my best to be dignified through the process. His second ex-wife revealed to me that he felt remorse for the life he led, he was proud of the life I was living, and the father I was. She said he was deeply religious, and read the bible every night, asking his Lord for forgiveness.

I am hopeful he did not remember that awful day in 1983. He was sick from addiction, and I pray he blacked it out. It was never required for him to acknowledge any of the bad shit, not by me anyway. I let most of it go with him. Some days, it's good to remember. Today is that day, I suppose. For some reason, I was thinking about Maggie May.

Nago

Tuesday, August 22, 2017

Do not destroy the lavitory smoke detectors.

Each time I fly, I mostly ignore the recorded messages played before takeoff. I have heard them hundreds of times, making it white noise. Today, while the message was playing, my mind drifts to a simple question: do people destroy bathroom smoke detectors on airplanes to puff a cig in-flight? According to the recording, It is a federal offence. I am thinking I would like to be on the federal grand jury for that case. If a person can't jones on an airplane, how well will they fair in court?

As a former smoker, I get what a nicotine fit feels like, but dayum... Check-yo-self. Meditate or something. OH-MA-NE-PA-NI-HUN, playa. Stop thinking you can't, and start saying "YUS."

This is the world we live in today. Where a person can be so caught up in self, they lose touch with the rules of engagement. Maybe they believe they are above them. We are all guilty of this from time to time, I know I have to pull myself back to earth on occasion. I am certain there are parts of my flawed personality akin to assholism, but I hold the door (hodor), say please and thank you, address men and woman with respect, and I tip well when merited.

Which segues into the crux, where is the decency today? Is it just plain gone?

As a man who is not overly political, not some huge jock, not an educated scholar, mathematician, or a natural computer wizard, not a hunter, nor overly tree hugging, I find myself outside of a conversation more often than in it. I am outgoing and loud, sure, but I am introverted as well. I claim to be a bit nerdy, because I am, but I have a very difficult time with little details that make nerds, nerds. Hell, I sing and play guitar, but am horribly uncomfortable on a stage. Life's little ironies I guess.

My point? I am not for everybody. I joke that people really like me, in very small increments, which is what makes me a good salesman. A joke that is not entirely untrue. It makes me a target for people, which gives me thicker skin than some, but I can honestly say, that even if a person is the largest hard head to me in daily deals, as long as I am treated with respect and decency, it's more than ok. I always try to return the favor. It's simple cause and effect.

Hence, it drives me insane when I see how utterly disrespectful people treat one another today. I am tired of hearing f-bombs in public places. I am tired of pop culture glamourizing sex as nothing more than exploits to be bragged about. I am tired of political in-fighting leading us nowhere, I grow weary of everyone only being in the game for themselves.

But I really want to meet the man or woman who would destroy a smoke dector on an airplane. That somebitch is on a whole other level. Word.

Nago

Monday, August 21, 2017

Back....to the originality.


This past weekend, I was bored and scanning my ShowBox app for something fun, when I stumbled upon a "search by year" tab for movies. After seeing year after year of mostly forgettable titles combined with the occasional blockbuster, I scanned 1985. Something hit me, 1985 might have been the best year for movies, period.
 
Now, some of my all-time favorite movies are not represented in 1985, but the overall storytelling and epic characters of this cinematic year blows me away. Even the B movies are good.
 
Goonies
Back to the Future
Rambo
Mad Max, Beyond Thunderdome
Weird Science
The Breakfast Club
That one movie with Madonna which didn't suck
Rocky IV
A View to a Kill
Legend
Commando
The Color Purple
Nightmare on Elm Street II
Day of the Dead
Fright Night
Clue
Out of Africa
Spies Like Us
Teenwolf
Cocoon
St Elmo's Fire
National Lampoons European Vacation
Police Academy 2
Pee-Wee's Big Adventure
Brewster's Millions
LadyHawke
Fletch
The Legend of Billie Jean
Jewel of the Nile
Mask
Witness
Agnes of God
 
I mean... dang. I could watch Goonies right now.
 
It's probably the influence of Spielberg's storytelling and Lucas' special effects that made the 80's so epic. Each decade preceding the 80's had merit, but a steady Hollywood decline since the 1940's left us with strange, almost icky, periods in between. Beach babe movies, scary monsters, early gore porn, spaghetti westerns, and invaders from mars filled the seats and drive ins across North America. We eventually saw the birth of the obscure (Allen, Kubrick), and master storytellers as well (Hitchcock, Coppela). In the same spirit, the uncharted waters of mid century Hollywood allowed the rise of James Bond, made massive stars like Hepburn, Wayne, Redford, and Newman, and brought us lost cause idols like Marilyn and James Dean.
 
The 80's in general were a second peak for Hollywood. The stage was set for greatness with special effects finally growing up thanks to LucasArts. Action/Adventure movies became all the rage with really good screenplays and direction, making Indiana Jones and Karate Kid box office hits. Sci-fi was getting a much needed horror-esque rebirth with franchise players like the Terminator, Alien and Predator. Horror itself came out of the 1970's religion based shock of Omen and Exorcist to fun bad guys like Freddy Kruger, Jason Voorhees, and Chucky. With the help of SNL alums, comedy struck gold with Ghostbusters, Beverly Hills Cop, and Stripes. It was a world filled with BratPacks, Cusacks, corny montages, and cornier monologues. We ate it up by the shovel full.
 
I say we, but in 1985, I was 10. Let's say Nago SkyNet was not really self aware yet. I was, however, inclined to see Back to the Future, 3 times at the theater. A record that stood until 1989's Batman tied it. Both of which were finally defeated by The Force Awakens in 2014. I digress.
 
Another cool feature of the list from 1985 is the amount of quality-ish sequels:
  •  USA vs. Russia via a winter's montage?
    • DING FRICKING DING!
  • Mad Max chilling with Tina Turner in the absolutely peak of the franchise?
    • Two man enter, one man leave...me wanting more!
  • Rambo freeing POW's with a M16, a bowie knife and a red headband?
    • Cambodi-hell-yeah.
  • Torin industries featuring Grace Slick taken down by 007?
    • Her majesties secret serv-YES!
In a way it leaves me sad to see the creativity of a time gone past. We are so often bogged down by rehashed, overkilled, super hero stories, we forget about originality. I am also a bit sick of too much motion in my motion pictures. A camera flailing about to entice a feeling of action is a bit like cheating. It also gives me a headache. It's like listening to people talk over each other on the "news" programs. So, maybe this winter when it's dark early and cold too often, I will eat my popcorn at home watching a bit of fun nostalgia, and pass over whatever shit Jason Statham movie is on Netflix that week. Word.


I leave this blog with two final notes:
1. Goonies rule
2. Back to the Future deserves it's own blog.

Nago

Thursday, July 27, 2017

Old Guy Drama - where are they now (and who really cares).

Disclaimer: 99.98% of the population will not have one clue about what I am writing about.

Poor crazy, fat, old Yngwie Malmsteen. As brilliant as he is, he sure is silly. A few days ago, he felt the need to diss every singer he ever worked with, and actually says he is comfortable taking on the vocal role himself. He claimed all singers have a certain "ego" he does not want to work with anymore.

For those not in the know, Yngwie has worked with some of the best singers in the industry over his 30+ years as an active artist. From his early days playing with Gram Bonnet's "Alcatraz," into Steeler (Ron Keel), to his plethora of singers for his "Rising Force," including: Doogie White, Joe Lynn Turner, Jeff Scott Soto and Tim Ripper Owens, he has had his pic of the cream.

Yngwie changed the game with his neo-classical guitar playing. Building off of a Ritchie Blackmore foundation, he sparked a generation of admirers, godfathering in a new genre of Progressive Metal along the way. His influence in the Metal genre is massive to this day.

With that in mind, his song infrastructure is equally impressive. Classics in Metal to be sure. "I am a Viking" should be the intro music for the Heavy Metal hall of fame for its epicness. Jeff Scott Soto (the bridge singer of Journey between Perry and Lindell) brought a massive voice to the forefront in Yngwie's band, and really set the tone for what was to follow. It could be argued Soto was never equalled.

Yngwie famously assholes himself into strange situations. I have not followed his career that closely since the late 80's, but when he sticks his head up and opens his mouths, the sparks usually fly. However, to diss the army of amazing singers he worked with is the most egocentric thing he has done in years, and thank goodness, I was starting to think he was cool or something.

Soto responded on Blabbermouth, "Carry on sing-Vay."

Yngwie is the Steven Seagal of Metal. Once great, a bit dellusional, really old and fat. I look forward to his vocal delivery.

Nago

Tuesday, July 25, 2017

Pendulum swings

Strange days indeed. I purposely haven't blogged about Chester. It's too soon after Cornell, and I have no good Chester Bennington stories. I was not what you could consider a fan of Linkin Park, but I didn't hate them, and I have always thought they changed the game completely with Hybred Theory. My son, Mocha, believes it to be a perfect L.P. I won't argue with that. Commercially, it was.

Death is death. The great unknown. Losing heros we admire is difficult. Suicide is such a strange thing. I could not even begin to imagine the darkness of a mind in that moment, wanting final resolution like that. I've been close to darkness, but life is always worth living. A friend once told me "a year from now, your life will be so much different." This simple truth was enough to make me push through the worst of my depression, because I want to know the guy from a year from now. I want to see what he does and where he has been. I want to hear his songs and read his words.

There are many stories circulating on abuse Chester suffered as a child. This abuse is being blamed for his mental state. To be tortured by the acts of an adult as a child is abusive beyond words. It haunted Chester, and he was honest about it. It's just not fair to snuff out a bright light of innocence. It makes me sick. Abuse comes in many forms: sexual, mental, physical, neglect, etc.. We should always keep that in mind. I have lost my cool in dealing with a stubborn child or two, and I understand that parenting is not perfect, but to be purposefully abusive is more than criminal. It's a mortal sin.

At the pool a few weeks ago, we saw a woman being a complete ass to a child. Yelling at her like she was an adult, demanding trivial things, and at one point, left this child alone in a parking lot while she ran to her car.  You want to be cool and not interject, you also want to snatch a bitch by her nasty ass stringy hair and defend the kid. Stuff like that is hard to watch, and even harder to know how to handle. I, like everyone else, said nothing, and I'm ashamed for it. I have no interest in making a scene, but maybe a scene would have been enough for this child to see an example of kindness?

If there is any justice in the world, the kid is loved and her adult companion from the pool day goes out of her life for now.

I think about my sons, the sacrifices we all made to do what we perceived to be right by them. Nothing was perfect, there were no magic answers. It was hard, but they were loved. Parenting is the hardest job people are willing to do. Its also the most rewarding. Sometimes the hardest choices include laying aside principles for the greater welfare of a child, other times, standing by your principles is the lesson a child needs to see. We protect our children. We keep them safe from harm and teach them. We reward their achievements, and we scold their mistakes. We mold them.

I still miss my almost-step daughter, and the light that shined through her stubbon (as hell) eyes. She too is loved, and she is surrounded by a good family. I wonder if my parachuting into her life for a few years did her harm? I always did the best I could for her. I have faith she will be safe and grow up to have an amazing life. If she sets her mind to it, she absolutely will. Someday maybe she will forgive me for not being able to stay there. With age comes wisdom. I hope she remembers our few years fondly.

Back to Chester. His lyrics haunt his fans, as he made his unease known to the world. The band was his vehicle to get his emotions out. We take our entertainment seriously these days as a society, and Linkin Park, one of the biggest rock bands of the last 20 years, related to many due to its underlying message of loss. We all struggle. For Chester, the struggle is over too soon. I hope that he truly rests in peace. The world moves forward without him today, but the impact will remain for a long time.

Nago

Monday, July 24, 2017

Guns and Redemptions

Let's discuss GnR for a few minutes...

I told a freind yesterday that I hadn't been into GnR this heavy since 1987. She laughed at this silly statement. It sounds funny to me to say it. Unfortunately, I was serious, which is worse than funny. It just may make me a bit old.

I believe GnR creeped back into my subconcense based on 3 recent things:

1. I watched Duff McKagan's strange adaptation of his book "It's so easy, and other lies" on Netflix during a sleepless night.
2. I purchased a GnR t-shirt at Target (based on fit, which is a big deal for me).
3. XM started a Guns n Roses channel.

Mix that all up, and here we are, in fan mode, for the first time in many, many, many, years. I am pleasantly surprised how good the band sounds, save Axl Rose, who is aging pretty badly vocally, but only in his middle voice. His highs are schreechy, and his lows are as deep and campy as ever. This is a critique based on the live broadcast from NYC on 07/20, replayed all last weekend on XM.

I have spent many years bashing Axl. The rock community at large did the same. We all had reason. From weird dreadlocks, scattered asshole appearances, guitar player change-ups, 17 year L.P. cycles, fat Axl, and so on, he did nothing to swing public opinion to his favor.

I have decided to give Axl an overdue pass. I am man enough to admit when I was wrong. Axl's biggest problem is also a huge asset. He refuses to do press. I can now see that with no press exposure, we have no idea of his day to day, week to week, or year to year. He became something of a parachute rock star of sorts. He wore whatever he was into on his sleeve, unapologetically, and kept on trucking. Most importantly, he did not give up on GnR.

We have seen the tales of how Axl is perceived to be the bad guy. It's documented how he forced control of the band into his own hands away from the other members, which sounds dirty, but maybe, just maybe, it was a move that was absolutely needed at the time.

Slash: An alcoholic drug addict.
Duff: Drug addict.
Adler: Drug addict
Izzy: recluse and possible addict?

Axl saw the band (and his mates) falling apart, forcing him to take control. He needed to save the legacy, his job, and quite frankly, an enterprise, from failing. And he did. Was it greed driven? Sure, but smart business. Why should GnR fail because of the excesses of rock stardom consuming his bandmates? I remember reading Slash saying he did not care for the "Spaghetti Incident" line-up. Complaining about chemistry, and how it was the.lasr straw, but was he in a place to have a say in picking a permanent replacement for Izzy? No. Hell no, but he felt shunned and quit. I am sure Axl did not want that, but relationships suck, and sometimes moving on is all you can do.

Remember the story of Slash going to Axls house after Velvet Revolver was formed? Axl turned him away, and made some press release statement about Slash bashing Scott Weiland. Slash was trying to get GnR back together at the time. I am sure that is a true story. However, Axl had every right to be bitter. Slash was sober at the time, and that's awesome, but penance is paid for with hard work, which Slash had not completed. From that point forward, you can see Slash's rise to good graces. The book, the solo L.P., The Conspirators,  the RnRHOF, large solo tours, and mostly, the respect shown toward his former band and it's leader, W. Axl Rose in the press.

Which leads me to say some nice things about Slash. Axl probably understands how important Slash is. With Axl being such a recluse, the contrast of Slash being one of the most recognizable musicians on the planet is good for his business. Aside from that, he is a great guitar player. One of the best rock guitar players of all time. His tone is instantly recognizable, and his feel is beautiful. I know the guitar players coming after Slash were technical masters, and some of the best in the business, but none will ever be as epic as Slash.

As far as Duff goes, I think his redemption was equally needed, and as equally cool. His stock rose in the years away also. He carries himself and his brand with dignity. His success away from GnR came from the financial world, and a second life is a great story in itself.

Adler is a work in progress. I think they would be more willing to give him a larger stake if he keeps upward mobility in life. Again, penance is hard work. Make yourself invaluable, and the phone will ring. I enjoyed his caveman drum style. He may not be ready for prime time again, it's Peter Chris over again in a way, but he is a good guy with a child like presence.

Izzy. Where's Izzy? Come home Izzy, but only if you are still Izzy. The boys, and the world, could use some cool.

Until then, Richard and Frank deserve the spotlight. They absolutely earned it. As do Dizzy and the new girl. GnR sounds like GnR again. What a good thing.

Lastly, the band sounds good. Like, really good. It's raw, yet professionally so. Velvet Revolver never sounded that good. Neither did Slash solo, Duff solo or GnR post Slash. It's strange to think of GnR as a nostalgic act, but they are, and that's ok. They earned their place through years of sweat. Even Axl's star has risen. So after 2 decades of hatin' on you, today, I say: Axl, thank you for keeping the ship floating. Good job, man.

Nago.

Wednesday, July 19, 2017

The reason...

Lately, I have been slacking on writing. The reason? I am taking a course on American Popular Music, and it fills my music writing void for the time being. It's been really fun, and I have learned a few new tidbits...

There are, however, some ingrained opinions no higher learning course can change. My dislike of a certain few acts worshipped by others always turn some heads, but I am unyielding. I have no issue throwing caution to the wind. Hate away if you must:

1. Grateful Dead: I just don't get it, and no amount of explaining will make me understand. They blow. BLOW.

2. Bob Dylan:
A great poet and lyricist, I'll admit that, but his music annoys the Jesus out of me. I suck bad too, so I hope that I can amass a cult same as Bobby.

3. Aerosmith:
Maybe 2 good albums worth of material. Maybe... That includes "Pump" and the first Joe Perry Project. I change the channel if anything but "Toys in the Attic" comes on. It's a hard truth.

4. Type O Negative:
RIP and all of that, but good lord, I don't get it. Loving this band is like loving the suck. Why was it ever vogue to think them amazballs is beyond me. A channel change happens no faster than when Type O finds its way onto my radio. Word.

I have one more beef to piss off the masses. How in the hell people still let the Roth era Van Halen off the hook for the shite they spewed between VH1 and 1984 is ludicrous. They ripped off the fans. The 4 L.P.s between 1978 and 1984 are so bad, it would be hard to amass enough good material for 1 SOLID album. Your argument about shit like "Take your whisky home" is nonsense. Covers don't count either.

I was 9 when 1984 came out. I am an expert study on many things rock (in my own head) and I believe 1984, as a work of pop art, is amazing, but 5150 is better. 

This rant is brought to you by my 7 hours in a car today listening to the radio. Top moments:

DRE : 2001
Body Count: Bloodlust
Nailbomb: Point Blank
Baroness: Purple
Dying Fetus: WOTFW

Nago

Tuesday, June 6, 2017

1986 in Erie (still).

Some of my people in Southwestern PA have a running joke about the local bar scene: it's always 1975 in Pittsburgh. It's a bad analogy on musical interests, basically saying most yinzers still listen to rock radio bands like Skynrd, Yes, Eagles, and Pink Floyd. It's not, not true. Just exaggerated. To be fair, there are plenty of Tesla fans here too. I heard Modern Day Cowboy at the 412 Bar and Grill last week.

Today I opened up an article about my hometown's 2017 version of the infamous Roar on the Shore, and discovered it's always 1986 in Erie. A double take was done.

It is refreshing to see Great White and Tom Keifer are playing consecutive nights for the festivities. If anyone cares, Great White is probably not Jack Russell's Great White (an entirely separate band). No, it's probably Mark Kendal's Great White, which is technically still Great White I guess. As for Tom's show, I wonder if Jeff LaBarr is pissed at him for billing himself as Tom Keifer of Cinderella? I would still pay to see Tom Keifer, for free... Ummm...

Also slated to play is Molly Hatchet. Danny Joe Brown has been dead for over a decade, but hey, it's still Molly Hatchet. Believe it or not, it's a band I've personally seen 3 times, just not since 1990, never without Danny Joe Brown, and never Hlubeks version of the band. I'm sure it's still badass.

I want to see all three. I'm considering crashing on my sister's floor for a weekend to come home and relive some youth. Up until this announcement, my biggest hair nostalgia "want" this year was the Tracii Guns / Phil Lewis reunited LA Guns (not the scabby Steve Riley version, which also featured Phil Lewis up until Dec of last year, weird, confusing, shite you can't make up) at Jergels on August 5th.

All of the above are examples of what eventually happens to working musicians from nostalgic bands. They have to make a living, and resign themselves to endless touring cycles living off of former glory. It does get a little silly when bands, especially 80's bands, have multiple versions out there competing for a limited headcount. But I've always maintained that if a musician can make a living off of music, they should, even if there are 2 Ratts, 2 Great Whites, 2 Queensryches, 2 LA Guns, and God knows what else exists. Are there 2 Bang Tangos?

In keeping current, I may go see Dawes this weekend at the 3 Rivers Arts Fest. I'll call that the Yawn on the Lawn, but I'm all about some free music.

I'm 15 again this year folks. Life is always good, but this year, it's mid-life good.

Nago

Wednesday, May 24, 2017

For (all of) your eyes only.

 
I've heard other Bond fans admit it recently, AMC went on record with it a few year ago, but my heart had always known: For Your Eyes Only is Roger Moore's best Bond film.
 
I actually remember how easily sucked in I became at the opening sequence. Bond picks up a bald man in a wheelchair with the leg of a helicopter, and drops him down a smoke stack! I was hooked. The cars were amazing, the watch was cooler than anything I had ever seen, ski chases, underwater cool stuff, world traveling, a true player, sarcastic, British James mutha effin Bond. My mind was blown.
 
I was probably too young to be watching this flick, but, if y'all remember, back in the day, cable boxes were zip dial, orange back lit, manual contraptions that sat on top of our 25" Curtis Mathis consol Tv's. we all had such limited movie channel choices that we became captive audiences to the HBO programmers fancy. That is how I came to see the 1981 spy thriller.
 
Much like today, HBO and other premium channels would show movies from a recent theatrical run, but the choices were limited and the distance between the film's release and it's airing on cable would typically be a year or so. Watching HBO, at that time, could be mysterious unless you actually tuned into the tedious scrolling program guide.
 
According to GuideArchive.com, For Your Eyes Only aired heavily in the summer of 1982 on HBO. My grandpap had HBO, and I happened to live there at the time. It was a perfect storm for my almost 8 year old mind. Typically, PG movies would run during the day, and I believe I probably saw it in the morning. Even back then I was an early riser, the best part of which allowed me to watch stuff my annoying sisters would never tolerate in the later hours of any given day. Worse than Kerry and Katy was my grandmother, Eva. Eva had a monopoly on the Televison from 9AM till 5 PM during the weekdays. Donahue, Game Shows, and Soap Operas were not to be disturbed. We were required to leave her house each, only to return for one of three reasons:
A. Lunch
B. Supper
C. Streetlights came on
 
After a chance viewing of For Your Eyes Only, I immediately turned an old playing card into an imaginary code key card, and pretended to swipe my way into doorways, entering made up numeric sequences into pretend number pads along the way.
 
My love of Bond started there, and even though the series lost me for a few minutes during the Brosnan era, I was able to look backward at Connery and what made the franchise great to begin with.
 
For years I have told people my favorite Bond film is the 1969 epic phucking movie Thunderball, but in truth, my heart belongs to For Your Eyes Only. Roger Moore was my Bond for my young mind.

RIP Mr. Moore, and thank you. Maybe tonight I will try to hunt down the Seiko worn in the film?
 
On a footnote, watch for a young Tywinn Lannister in the ski chase scene, later he takes an arrow on the beach. Yeah, it's that's cool. Word
 
Nago
 
Nagos Nerd Alert will return in James Bonding with Theme Songs.

Friday, May 19, 2017

Sweet Sunshower


I wake up, open FB, and the first headline is something regarding Jimmy Page making a statement about Chris Cornell. I thought "who cares what Jimmy thinks of Chris.... wait." I panic, and dig deeper. I read the headline, and my heart sinks. All I can say is "wow." I am beyond disbelief, we lose rock stars all the time, but Chris meant something to me way beyond Bowie or Prince. Chris was the best voice of my generation. He spoke directly to the 18 year old Nago from Erie, PA.

I can't remember the first time I heard him. Probably the Singles movie soundtrack, maybe Temple of the Dog? What I do remember is how good Badmotorfinger is. Rusty Cage and Jesus Christ Pose are tattooed into my DNA. I heard Sabbath, I heard Zeppelin, I heard soul, and some controlled chaos with progressive timing.

I was early 20's or so when Soundgarden ruled the world. It was an awkward, yet rewarding time for me. I was pretty newly married, had kids and was already working for the company I have spent my entire adult life with. My inner circle was small (not much has changed there), but we all took care of each other for the most part. There was a huge portion of me that wished I could have been a part of my generation, but obligations made me take a back seat to scenes and parties. Soundgarden was a bridge for me. I loved their approach, their style, and their vocals. In a post thrash mainstream, Soundgarden was Metal in a sea of bullshit.

My son Mocha may not remember this, but his favorite song, from the time he could recite it, was Rusty Cage. He would sing that joker all the dayum time. Angie and I were proud of what we had created, even then.

Angie was the first person to text me today about Chris. I'm not surprised. We had that connection in our past life together. I knew she was probably hurting over this one too... And there it is, It really hurts. The next person was my old friend Bedo. Yeah, he feels exactly the same, and told me to get writing. I was not sure if I could. I am not sure if I am doing it any justice.

A voice silenced. One of the purest voices I've ever heard. One of my favorite voices, period. I am glad I had the chance to hear you perform. RIP.

Looking California, feeling Minnesota,

Nago

Monday, May 1, 2017

Rewatch... Rockstar.


In a fit of insomnia, I re-watched Rockstar. It's really stupid, but still pretty good fun.
If you were not exposed to 80's Metal the way I was, you probably wouldn't understand why this movie hits home. From a local band taking itself too seriously, to a overblown popular band way too full of itself, this movie gets a few things right. It suffers from the Hollywood treatment, and feels like one big montage after another at times, but watching Marky Mark lip sync "We All Die Young" is pure gold.

"And we all, die young!" What a good representation of late 80's metal songwriting. I say late 80's because the early and mid 80's had way less formulation. Compare an earlier big opus, maybe the 1983 Krokus song, Screaming in the Night, or an earlier power ballad, like the 1982 underrated track titled simply The Ballad by the lesser known Australian band Heaven. Songs of the earlier lot were a bit more raw than the over produced, bleeding heart metal of 88 through 92.

We All Die Young sounds like a song Steelheart could have done well, if a producer could have reigned in their vocalist to not sing in an octave only dogs  could hear. I need to check wiki and see who actually sings the song...

Ha! It's actually Steelheart. Wow. That is phucking funny. I never knew the producers dipped into existing Chest Hair Metal to find the perfect soundtrack for the movie.

I shouldn't be too surprised by the connection. It is BIG Hair Metal. An equally good choice for the movie would have been Hardline's Hot Cherie from 1992. Both songs are great examples of what Hair Metal was becoming. Like it or not, musically they are both stellar. Less about Hair, more about writing great rock songs?

You may have asked yourself at some point, why is Nago nerding out to a 16 year old movie at 5 AM? Because insomnia, and I do what I want. The truth: I needed something light hearted to take my mind off of Chris Cornell. Typically I'd just turn on the news and watch the continuing shit show that is modern American politics, but even that is losing its comedic value lately.

Make a Hair Metal playlist. Include We all Die Young and Hot Cherie. I promise it will get you moving. Avoid Way Cool JR, anything by Bang Tango, and don't even think about Fire House.

Good morning and Happy Friday.

Nago

Wednesday, April 26, 2017

On the Seventh day.

My brother Louie recently posted a Paul Elliott article from Classic Rock, Is Heaven and Hell Black Sabbaths Finest Hour? I read the article, and absolutely understand why someone would make that statement. It is a very fine hour indeed, just not for Black Sabbath.

I would argue this is not a Sabbath record at all.

When we are all gone and the world looks back at our generation, explaining post Ozzy Sabbath won't even be much of a footnote. They were the creators, the guys that started it all. In hindsight, history will only discuss one true Black Sabbath. No one will care about the 5th bass player or that one guy who kinda sounds like the other guy (with all due respect to Tony Martin).

Ozzy and Sharon got it right when they made Iommi change the name. It truly is something else entirely, and deserves its own accolades. Heaven and Hell and Mob Rules may be Dio's finest hour. It is absolutely Iommi's finest hour. A directional shift away from blues based horror rock, and overhaul into a completely separate entity. His playing is phenomenal, and the writing is watershed.

I have always felt calling Iommi's bands post Ozzy, Black Sabbath, is a discredit to the original band, and calling "Heaven and Hell" "Black Sabbath" is just not accurate. Especially in hindsight. I will give Tony credit for keeping it somewhat barely alive after Dio, but as someone who was there, Iommi seemed to be lost from a fans perspective. Sabbath wasn't chasing the Ozzy years during the 80's, they were chasing the Dio material, and save a few memorable tracks, not doing it justice.

I look at Sabbath as 4 bands. Black Sabbath, Heaven and Hell, Red Devil Baby, and Headless Cross.

Heaven and Hell was an amazing band and probably my favorite of the 4. Dio/Iommi/Geezer/Bill/Vinnie made two amazing records in the 80's, and showed the world how metal should sound.

Rip Ronnie.

On and on. And on. And on.

Nago.

Tuesday, March 14, 2017

Ocean Born

I have been writing about the songwriting process, off and on, for a long time. I leave hints at being a songwriter on occasion as well. The reality of writing, for me, is that I never stop learning and evolving. If anyone asks what my best work is, I usually say "the next one."

This is the story of the evolution of my latest work: Ocean Born.

This song has had me perplexed for months. It started as an idea, 2 chords, and a lyric. The idea was to write about a codependent relationship. The chords were G and C, and the lyric was about drinking too much tequila. The issue was that I couldn't get past the starting line. I hovered there for months thinking "will this song ever flow?"

The struggle was visionary and structural. I don't really wish to come across as promoting a drunken lifestyle. However, for the sake of the song, it almost needed start there.

I had some early help with a friend who has assisted me in the past with concepts, but we wrote it on the fly, and I was not convinced the treatment was true to how I felt. After writing the first draft, the question came up: does this work as a codependent song? Is that really where it needed to go, or could I take advice and lighten up? It almost seemed too dark. My gut was saying "rewrite."

The next issue was in the chord selection and strum pattern. There is nothing special about a G,C,G pattern, but the original sounded too familiar. I am still not completely sure what it sounded like, but it was definitely something. After strumming around, I instead chose a  more natural (to me) strum and moved the C chord to a slightly generic D/F#. It felt a little better that way. I also added a little ear candy to the riff to break up the monotony.

From there I need to actually structure the verses. This was a huge struggle. I actually liked the words I had already written, but again, for the sake of the song, I knew I needed to get over myself and re-write. Originally, there were references to sleeping through church (due to hangover), lines about leaving a lonely girl alone (had to be modified), and many other lyrical quips I slaved over.

So, conceptually, I messed around and settled on an old idea. Everyone I know, at one time or another, has thought about living at the beach. I even had a title, Ocean Born (lifted from a Nightwish LP, Oceanborn ). I liked the idea of using the title as symbolizing a new beginning.

I probably asked too many opinions about this song early on, but I did find them valuable. I did not want to settle. The issue is that others will hardwire an unfinished work as gospel for a minute. It eventually corrects itself with time. I may continue to ask for opinions, as it pushed me to really work out a complete concept versus just another bleeding heart cry for attention.  The result, for me, is a story of hope.

The chorus, and its country fried Thunder Road concept, solidified the message of hope. The cherry on top was accidentally pulling a stop/start pattern by muting all the strings. Its something I have unconsciously done for years, but I recognize its potential after learning an acoustic version of Brantley Gilbert's Bottoms Up. Its a pretty solid effect when placing emphasis on a lyric.

This song was inspired by modern country music, there is no doubt. I am learning new things from paying attention. There seems to always be a conceptual noun or phrase a song is written around. It's very counciously done in Country. I maybe did this in the past, but it was more about feeling, and if a concept emerged, great. I can be a bit more of a storyteller than a romantic writing this way, and its opening my mind to new ways to hone this craft. The use of the word "Country" was planned, and executed, because I needed to give a middle finger to my beloved peeps busting my balls about "going country," and a nod to the genre inspiring it. Also, I do what the hell I want.

Play Me Daisy, my last dive into this genre, was a bit the same. However, I was absolutely writing that song from my gut for my friend and fellow songwriter, Mary Lou Scherder. I was engrossed in massive amounts of Punch Brothers at the time also, which is probably why it sounds bluegrassy. I look at Play Me Daisy and Ocean Born as equals and opposites, but maybe my coolest acoustic work to date (in my mind). They both are rewarding in the challenge of how they made me push my limits.

In conclusion, I feel like a new LP is inevitable, and these two songs will act as cornerstones. If they are any indication of things to follow, I am really gonna love the next song, which I hope will be my best song.

Nago

Thursday, February 23, 2017

(Cry Out) I'm trapped underwhelmed.

It's been a Metallica week for me. Last weekend, I caught snippets of Some Kind of Monster on Netflix. That movie is the thing that should not be. Drama from 40 year old multi-millionaires struggling with remedial art? It's a train wrecking into a flaming bus, and it's good fun.

Of course the recent Grammy fiasco during the performance with Lady Gaga possibly put the band into my frontal lobe. Thats how these little musical digressions start, folks. For those not aware, James mic was unplugged.

Metallica is an entity that has always been there in my life. I was 9 when Kill 'Em All came out, making the release of Master of Puppets smack dab in the middle of my influential preteen years. I grew up (and old) with them. I watched every triumph and misstep as a fan from the sidelines. They are part of my DNA.

Like so many other fans, for me, Metallica has 3 masterpieces, 2 great LP's, and one pretty badass EP. From 1983 till 1991 they could do no wrong. The forged a legend that is pay dirt 35 years later. They are the U2 of Heavy Metal because of their early work. They became the biggest metal band that ever was.

But from there, they kinda phoned in a couple of LP's (I secretly love Re-load), did a bunch of covers (I'm sorry, but they all suck! Turn the Page? Whiskey on the Jar?), and a song for a movie soundtrack. They sued Napster (they were right in doing so) and shit out the unlistenable St Anger.

Now, I did enjoy 2008's Death Magnetic. My bro Snyder and I both geeked out about it in a major way. It felt good to hear Metallica sound metallic. DM was well received and breathed new life into the band. It's been 8 years, and now they follow it up with an ever better LP worthy of the brand. I listened to Hard Wired today in its entirety. I had heard the singles, and the one that blew me away was "Spit out the Bone."

It's safe to say that Metallica is finally aging well. They play to their strengths, have learned from mistakes and just about killed it this time. Good show! They could have made another shit LP and toured, but they pushed themselves forward. I dare say it's really good.

So forgive me for this late (and kinda vague) review. I guess I have blown off so much Metallica over the years it has become habit. But take LuLu out of the equation and the last 8 years have been pretty stellar. Death Magnetic is ok, Through the Never is cool, and Hard Wired is the best we can expect from Metallica. Dayum, they even hosted the infamous "Big Four" shows. Not too shabby of a run.

I do have an old bone to pick though. Am I the only one who cares that Enter Sandman is loosely about Peter Pan? Not very metal.

Rufio > Pan.

Nago

Monday, February 20, 2017

Songwronging.

I like to believe I write good songs. Its really a passion and sometimes my favorite thing about me. I've blogged at length about the process and how unrewarded it can make you feel. When it's good, and for no other reason than to write, it can be most rewarding.

As someone who writes, I can appreciate a great song regardless of genre, as long as its not too disingenuous. Because of the business of Pop Culture, an entire industry of songwriters compete for the next major hit more often than performers do. Being a starving singer songwriter bears no accolades 98% of the time. For every Taylor Swift, there are 7 Million talented songwriters who will never date John Mayer and express their thoughts in song for the world to actually hear. Taylor writes good songs. She also has the luxury pool of talented people to assist, but her knack for ear candy is perfect for this day and age.

There are some who look under rocks and in smoky underworlds to find great talented songwriting. I fall somewhere in between. I am just as likely to freak out of a jam on Liquid Metal as I will on Coffee House, but know enough to find other sources to feed my hunger for fresh material.

Country Music surprises me more often than I admit. There is some great original art coming out of the sticks. Eric Church, an artist I cannot confirm actually writes at all, has some very good song selection beyond the scope of, yet with respect to, the Country genre on whole. A compliment from me to him, yeehaw.

Everything I write, regardless of genre, is me and a guitar. Its a raw form of writing, but it's perfect for me. It's honest. Just strings and my voice.

I've been tooling around with a song for months now. It's gone through a couple of transformations over the course of time. Every time I believe I am on the right track, the focus shifts. It's proving to be a challenge, but an accepted one. I have asked for, and received, opinions from the outside world, but it's my recipe to phuck up, so Imma stop that, stat. Also, this new song is not about anything other than a story. My new mantra adopted from the process: "Sometimes shit just rhymes."

It's a good thing, actually.  I'm in a good place. I'm not heartbroken, desperate, mad or crazy. Life is definitely on a upward climb right now. The people around me are happy, and I choose to be happy as well. So, no desperate pleas of longing, no "Let Out" lyrics, and no crying from me this week. I am writing about a daydream of sorts: running away with a girl to the beach.

Why? Because sometimes shit just rhymes.

Kill a word.

Nago

Monday, February 13, 2017

Let me help you, out of the chair, Grammy.

Ohhhhh, Grammys....

I haven't really given one actual phuck about the Grammys in a very long time. I don't pine over watching them. It's never a priority.  It's entertaining and all, don't get me wrong, but not much changes in the world of popular music year over year, and the most interesting awards are not televised.

Yesterday morning I awoke to the news of Megadeth winning the Best Metal Performance category for their song Dystopia. Wait, what? Who else was nominated? Wasn't Gojira? Baroness was up for the prize also, right?

For those of you who knew me at 14, this may come as a shock, I believe Baroness and Gojira got screwed. Why? Consider both bands. Both are pushing the genre to new and interesting places.

Baroness was nominated for their horribly underrated "Shock Me," a song that is melodic, fresh, heavy and yet still has a throwback feel. Baizley and Co nailed it on this track. It sounds huge, and progresses Baroness beyond their already stellar catalog.

Gojira's "Silvera" is also a palatable turn against the normal fist pump. It could be said these guys are on the edge of the current experimental phase the Metal genre seems to be flirting with. Guitar trickery turned riff badassery, this French troupe is making an impact in todays strange market.

Megadeth should have won a Grammy in 1991, when Rust In Peace was up against Metallica's cover of Queen's Stone Cold Crazy. Megadeth was still fresh and pushing Metal forward then.

Looking back at the Metal category in general, the Grammy typically goes to legacy bands. Sabbath, Ozzy, Metallica, Judas Priest, Motorhead, etc... have all won this prize. Seeing how a Metal Grammy didn't come into existence until 1989, one can easily call it a joke anyway. No Pantera? In the 1990's? Huh?

Dystopia is a good song, I'm not shitting on it. Megadeth consumed my teenage years, so I am happy for them. But, Baroness deserved the win Sunday night. Listen to Baroness. Do it now.

Nago